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We’ve updated our Terms of Use. You can review the changes here.

Live at Marie​-​Antoinette

by Damo Suzuki & Sound Carriers

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2xLP available at:
www.playloud.org/archiveandstore/en/vinyl-12/574-damo-suzuki-sound-carriers-live-at-marie-antoinette.html

Concert movie (stream) available at:
www.playloud.org/archiveandstore/en/live-music-series/49-damo-suzuki-life-at-marie-antoinette.html


Damo Suzuki & Sound Carriers
Live at Marie-Antoinette

Sound Carriers:

Dirk Dresselhaus (Schneider TM, die Angel)
Ilpo Väisänen (ex-Pan sonic, die Angel)
Michael Beckett (Kptmichigan, Super Reverb)
Claas Großzeit (Saal-C)
Tomoko Nakasato (Mio, JINN)

These instant compositions were played & recorded on November 24th 2011 at Marie-Antoinette, Berlin (GER).

"I find it fairly difficult to say something about how the music in this concert came about, cause we didn‘t plan or rehearse anything and hardly were able to hear each other on stage. Wherever it came from, the energy and course of this concert is very much based on group dynamics and an almost telepathic sort of communication, like a swarm of fish. When I mixed the sound later on in the studio I discovered a lot of weird things on the separate tracks: for example Kptmichigan‘s guitar signal is changing level for about +/-30 dB once in a while which is a lot and was probably caused by a broken microphone cable. Luckily the fucked up parts made the sound even heavier and more distorted instead of destroying it."
(Dirk Dresselhaus)

Statement by the filmmakers - The “painted or (re-) corded” film
"As filmmakers, it is important the performance we film will be recorded unadulterated. At the same time we do select by positioning and framing the camera, i.e. we watch subjectively. In principle we try to edit inside the camera because we would like to show the presentation in its entirety. It is crucial to know that most of the time we only work with one single camera. The camera is not rigidly tied to a tripod because we want to be able to react at any given moment to what is happening within the spontaneous/ improvised performance. Consequently our work turns into an active composition during the show. It could be called a form of drawing (in German the term “drawing” inhabits the word “recording”) with the camera. As with all spontaneous/improvised art this sometimes works out nicely, other times it fails poorly. The question that drives us is the question friends or our children at home will ask us: What did you see? Could you tell us? For us it is easy due to the fact that both, visually and aurally, we can (re-) play our direct impression because we had filmed (drawn) and *recorded it (*the word “recorded” in German also inhabits the word “cutting/editing”)."
(Dietmar Post & Lucía Palacios)

credits

released May 2, 2020

1. Geheimnisvolles Treffen Auf Der Anderen Seite Des Nebels (33:45 Min.)

2. Stern Des Narren (26:54 Min.)

3. Die Leere Füllen (31:20 Min.)

4. Wirkliche Antwort Auf Unsichtbaren Spiegel (28:28 Min.)

Damo Suzuki: voice
www.damosuzuki.com

Dirk Dresselhaus: electric baritone guitar, effects
www.schneidertm.net

Ilpo Väisänen: electronics, effects
www.phinnweb.org/panasonic

Michael Beckett: electric guitar, effects
mirrorworldmusic.com/tag/kptmichigan

Claas Großzeit: drums, percussion
mirrorworldmusic.com/tag/claas-groszeit

Tomoko Nakasato: dance, electric rake
tomokomio.com

Live Mix: Austin Brown
Studio Mix: Dirk Dresselhaus / ZONE, Berlin
Mastering: Rashad Becker / Dubplates & Mastering, Berlin
Concert Poster Design: Claire Wijbick
clairewijbick.blogspot.de

Words: Damo Suzuki
Music: Damo Suzuki, Dirk Dresselhaus, Ilpo Väisänen, Michael Beckett, Claas Großzeit, Tomoko Nakasato
Published by Edition MirrorWorldMusic / La Chunga music publishing / Copyright Control

Many thanks & greetings:
Dietmar Post, Austin Brown, Julien Bouille, Marie-Antoinette
www.marie-antoinette-berlin.de & the audience.

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about

MirrorWorldMusic Berlin, Germany

MirrorWorldMusic is a label, archive, and publishing imprint for diverse idiosyncratic music projects that are linked in some way by their protagonists, involving the likes of Schneider TM, Dirk Dresselhaus, Kptmichigan, die ANGEL, Locust Fudge, and others. The diversity of the stylistic scope is unified by an overarching experimental approach and multi-minded spirit.

www.mirrorworldmusic.com
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